The Secret Agent, the Verlocs

Donde conocemos a Mr Verloc, su familia, y el negocio de venta de material erótico que posee en su casa. Del original inglés The Secret Agent, de Joseph Conrad.

Encontramos una definición para gas jets y apuntamos las ideas principales más abajo.

 

Mr Verloc, going out in the morning, left his shop nominally in charge of his brother-in-law.  It could be done, because there was very little business at any time, and practically none at all before the evening.  Mr Verloc cared but little about his ostensible business.  And, moreover, his wife was in charge of his brother-in-law.

The shop was small, and so was the house.  It was one of those dirty brick houses which existed in large quantities before the era of reconstruction dawned upon London.  The shop was a square box of a place, with the front glazed in small panes.  In the daytime the door remained closed; in the evening it stood discreetly but suspiciously half closed.

The window contained photographs of more or less undressed dancing girls; nondescript packages in wrappers like patent medicines; closed yellow paper envelopes, very fragile, and marked two-and-six in heavy black figures; a few numbers of ancient French comic publications hung across a string as if to dry; a dingy blue china bowl, a chest of black wood, bottles of marking ink, and rubber stamps; a few books, with titles hinting at impropriety; a few apparently old copies of obscure newspapers, badly printed, with titles like The Torch, The Gong—rousing titles.  And the two gas jets inside the panes were always turned low, either for economy’s sake or for the sake of the customers.

These customers were either very young men, who hung about the window for a time before slipping in suddenly; or men of a more mature age, but looking generally as if they were not in funds.  Some of that last kind had the collars of their overcoats turned right up to their moustaches, and traces of mud on the bottom of their rear garments, which had the appearance of being much worn and not very valuable.  And the legs inside them did not, as a general rule, seem of much account either.  With their hands plunged deep in the side pockets of their coats, they dodged in sideways, one shoulder first, as if afraid to start the bell going.

The bell, hung on the door by means of a curved ribbon of steel, was difficult to circumvent.  It was hopelessly broken; but of an evening, at the slightest provocation, it clattered behind the customer with impudent virulence.

It clattered; and at that signal, through the dusty glass door behind the painted deal counter, Mr Verloc would issue hastily from the parlour at the back.  His eyes were naturally heavy; he had an air of having wallowed, fully dressed, all day on an unmade bed.  Another man would have felt such an appearance a distinct disadvantage.  In a commercial transaction of the retail order much depends on the seller’s engaging and amiable aspect.  But Mr Verloc knew his business, and remained undisturbed by any sort of æsthetic doubt about his appearance.  With a firm, steady-eyed impudence, which seemed to hold back the threat of some abominable menace, he would proceed to sell over the counter some object looking obviously and scandalously not worth the money which passed in the transaction: a small cardboard box with apparently nothing inside, for instance, or one of those carefully closed yellow fragile envelopes, or a soiled volume in paper covers with a promising title.  Now and then it happened that one of the faded, yellow dancing girls would get sold to an amateur, as though she had been alive and young.

Les Pieds Nickeles, 1954

Sometimes it was Mrs Verloc who would appear at the call of the cracked bell.  Winnie Verloc was a young woman with a full bust, in a tight bodice, and with broad hips.  Her hair was very tidy.  Steady-eyed like her husband, she preserved an air of deep indifference behind the wall of the counter.  Then the customer of comparatively tender years would get suddenly disconcerted at having to deal with a woman, and with rage in his heart would proffer a request for a bottle of marking ink, retail value sixpence (price in Verloc’s shop one-and-sixpence), which, once outside, he would drop silently into the gutter.

The evening visitors—the men with collars turned up and soft hats rammed down—nodded familiarly to Mrs Verloc, and with a muttered greeting, lifted up the flap at the end of the counter in order to pass into the back parlour, which gave access to a passage and to a steep flight of stairs.  The door of the shop was the only means of entrance to the house in which Mr Verloc carried on his business of a seller of shady goods, exercised his vocation of a protector of society, and cultivated his domestic virtues.  These last were pronounced.  He was thoroughly domesticated.  Neither his spiritual, nor his mental, nor his physical needs were of the kind to take him much abroad.  He found at home the ease of his body and the peace of his conscience, together with Mrs Verloc’s wifely attentions and Mrs Verloc’s mother’s deferential regard.

Winnie’s mother was a stout, breathless woman, with a large brown face.  She wore a black wig under a white cap.  Her swollen legs rendered her inactive.  She considered herself to be of French descent, which might have been true; and after a good many years of married life with a licensed victualler of the more common sort, she provided for the years of widowhood by letting furnished apartments for gentlemen near Vauxhall Bridge Road in a square once of some splendour and still included in the district of Belgravia.  This topographical fact was of some advantage in advertising her rooms; but the patrons of the worthy widow were not exactly of the fashionable kind.  Such as they were, her daughter Winnie helped to look after them.  Traces of the French descent which the widow boasted of were apparent in Winnie too.  They were apparent in the extremely neat and artistic arrangement of her glossy dark hair.  Winnie had also other charms: her youth; her full, rounded form; her clear complexion; the provocation of her vast reserve, which never went so far as to prevent conversation, carried on on the lodgers’ part with animation, and on hers with an equable amiability.  It must be that Mr Verloc was susceptible to these fascinations.  Mr Verloc was an intermittent patron.  He came and went without any very apparent reason.  He generally arrived in London (like the influenza) from the Continent, only he arrived unheralded by the Press; and his visitations set in with great severity.  He breakfasted in bed, and remained self-pitying there with an air of quiet enjoyment till noon every day—and sometimes even to a later hour.  But when he went out he seemed to experience a great difficulty in finding his way back to his temporary home in the Belgravian square.  He left it late, and returned to it early—as early as three or four in the morning; and on waking up at ten addressed Winnie, bringing in the breakfast tray, with jovial, exhausted civility, in the hoarse, failing tones of a man who had been talking vehemently for many hours together.  His prominent, heavy-lidded eyes rolled sideways amorously and languidly, the bedclothes were pulled up to his chin, and his dark smooth moustache covered his thick lips capable of much honeyed joking.

 

Nombres

Mr. Verloc

Winnie Verloc

Winnie´s mother

Vauxhall Bridge Road

Belgravia

 

Vocabulario

Gas jets: another name for gas burner.

 

Ideas principales

Mr. Verloc lived in a small house where he had a shop. He sold comics, magazines and books of naked women. The shop was opened in the evenings. The customers entered the shop quickly and did not want anybody to see them. 

Mr Verloc did not care about his appearance. His wife usually had her hair tidy and was indifferent to the customers. Verloc lived with his wife, Winnie, his brother-in-law and Winnie´s mother.

 

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